Dan Fox, ‘Jimmy Robert & Ian White’, frieze, no.89 (March 2005)

Giles Bailey, ‘Ian White (17 July 2010, DAAD, Berlin)’, MAP Magazine, no.23 (Autumn 2010)

Andrew James Paterson, ‘We Are Behind’ [review of book by Emily Wardill & Ian White], C Magazine, no.110 (Summer 2011), pp.52-53

Élisabeth Lebovici, ‘Ian White (1971–2013), bouleversant artiste, performeur, facilitateur, programmateur...’, blog post on Le Beau Vice (28 October 2013),

http://le-beau-vice.blogspot.com/2013/10/ian-white-19712013-bouleversant-artiste.html

Emma Hedditch & Kerstin Stakemeier, ‘Ian White (1971-2013)’, Texte zur Kunst, no.93 (March 2014)

Nick Mauss, ‘Ian White’, Texte zur Kunst, no.100 (December 2015), pp.94-97

Ed Halter, ‘Here Is Information. Mobilise’ [book review], 4Columns website (2016),

https://www.4columns.org/halter-ed/here-is-information-mobilise

Kerstin Stakemeier, Entgrenzter Formalismus. Verfahren einer antimodernen Ästhetik [book including section on White’s Trauerspiel 1] (Berlin: b-books, 2017)

Chris Fite-Wassilak, ‘Here Is Information. Mobilise’ [book review], ArtReview, Vol.69, no.1 (January/February 2017), pp.132-3

https://cfitewassilak.wordpress.com/2017/02/28/ian-white-here-is-information-mobilise/

Conal McStravick, ‘Here Is Information. Mobilise’ [book review], Miraj, Vol. 6, no.1-2, pp.251-8

Dan Fox, ‘Proper Trouble’ [profile of Ian White and his collected writings], frieze, no.186 (March 2017), pp.23-4

Chris Fite-Wassilak, ‘Ian White at Camden Arts Centre, London’ [exhibition review of Camden Arts Centre show], ArtReview, Vol.70, no.5 (June 2018)

https://artreview.com/ar-summer-2018-review-ian-white/

Federico Florian, Introduction to Ian White dossier, Flash Art, no.321 (June/August 2018), pp.66-71

Matt Wolf, ‘Whose History?’ [part of Ian White dossier], Flash Art, no.321 (June/August 2018), pp.74-76

Emma Hedditch, ‘Provisional Systems’ [part of Ian White dossier], Flash Art, no.321 (June/August 2018), pp.72-73

Emily Roysdon & Steven Warwick, ‘Performing Ian White: A Choice in the Matter or The Room We're In’, frieze.com (6 July 2018),

https://www.frieze.com/article/performing-ian-white-choice-matter-or-room-were

Ben Luke, ‘Sadie Benning/Ian White review: Playing tricks on a sense of time’ [exhibition review of Camden Arts Centre show], Evening Standard (30 April 2018)

Kylie Gilchrist, ‘Critics’ Picks: Ian White’ [exhibition review of Camden Arts Centre show], Artforum (2018),

https://www.artforum.com/picks/ian-white-75640

Figgy Guyver, ‘Critic’s Guide to London: The Best Shows in Town’ [exhibition review of Camden Arts Centre show], frieze (30 May 2018),

https://www.frieze.com/article/critics-guide-london-best-shows-town

Chris McCormack, ‘Ian White: Any frame is a thrown voice’ [exhibition review of Camden Arts Centre show], Art Monthly, no.417 (June 2018), pp.26-7

Simon Gennard, ‘Nothing Important’, exhibition review of Camden Arts Centre show], Extended Conversations website (2018),

http://www.extendedconversations.org.nz/nothing-important/

Stuart Comer, ‘The Horse Hospital’, frieze, no.200 (January/February 2019)

Lauren Cornell, ‘Ian White’, frieze, no.200 (January/February 2019)